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The Playhouse
Got a minute? Dust off your imagination and take a tour
with me.
It's summer 1957. Even in the bright daylight it is dark
in here but the eyes gradually become accustomed. Hodge podge of unrelated,
discarded furniture. Rough wooden boxes occasionally sting and leave
slivers in little fingers. A faded yellow rocker, kid-sized, one man's
trash, a ten year old's treasure. An old Hollywood sofa bed. Brown and
smelly. A lethal combination of dust and dog. The walls are raw but
good for writing on. A name, a phone number. A primitive drawing. The
ceiling is bare rafters. Great for suspending temporary fabric walls.
Also great for harboring wasp colonies.
A six foot ladder. The top becomes an entire second floor
of a sprawling mansion. The movie star descends gracefully to the marble
foyer and greets her guests. She laughs lightly and charms her way around
the gracious ballroom astounding everyone with her wit and cleverness.
The phone rings. She accepts devastating news. She excuses herself and
retires to her quarters. A grand exit up the winding staircase. Everyone
would be so shocked and dismayed over her suicide. A nice little dramatic
ending but not as compelling as the Princess imprisoned in the highest
turret of the Giant's cold, dank castle. Her golden locks float easily
around her shoulders like a silken mantle... or a bunch of mom's old
nylon stockings. She looks longingly out of the window at the tree tops
and the misty countryside. She does so need her Prince to come. She
passes the time singing sad songs in the most beautiful voice ever known
to man. She waits patiently perched for hours on the spot that reads.
"WARNING, NOT A STEP"
Arranging, rearranging. Ragged chairs, boxes, little
broken tables. Make them fit the daydream. Work around the nasty burlap
curtain that conceals the lawn mower but can't hold back the acrid odor
of sour grass and gasoline. A concession with The Dad for the shared
use of this space.
Arranging and rearranging. The kitchen is a sagging little
shelf suspended limply between two wall studs. Jars of tiny bits and
pieces of collected things cling together on one end trying not to slide
forward to sudden splintering on the rough concrete floor. An old linoleum
surfaced counter top is a workspace for the amazing concoctions of grass
and mud pies. A world renown chef humbly accepts the praise for her
latest recipe for goulash. The secret ingredient is closely guarded.
Faded crayon marks outline the remains of paths. Trails
through Candy Land. The ladder/mountain has whipped cream on its peak.
Some wall studs bear red stripes, candy cane sentinels. The Candy Land
Fairy Princess emerges from her sugar cottage. Amana refrigerator box.
THIS SIDE UP. She sparkles and flutters about tending to all the little
creatures of the forest. She is so wise and they love her so. She always
has the answers. Except how to open the window. Always stuck. And the
other one won't stay open without a stick to prop it. But it only matters
in the summer months when the soaring temperature swells up the pine
walls and makes the knots weep sticky, amber tears. In the heat, the
pine sap and the gasoline fumes mingle and synergize. It smells explosive.
Outside, the concrete step-up runs the length of the front
of the playhouse. A hopscotch grid is permanently etched into the surface.
A good place to escape the oxygen deficient atmosphere. An old pine
tree provides hit and miss shade to this spot in the afternoon. Lindy,
the English girl, brings new games and great skill to this place. She
also brings wonderful English books. Us Dogs is read uninterruptedly
in the yellow upholstered rocker in one sitting. A sad ending. A new
and painful experience full of sobbing, salty, last page tears and delicious
growth.
An idea! Other books. Gathered from everywhere. Old moldy
books, paperbacks and new Readers Digest Condensed books. A library.
The librarian is very strict. She is a rock. No noise allowed. No talking,
no loud movements. This is a quiet place, a place for reflection and
serious study. But an unfortunate incident. Something to do with the
entire works of Mark Twain left in the yard. Rain. LIBRARY CLOSED. Books
confiscated by The Mom. Back to the lone reader in the yellow upholstered
rocker.
Chairs and tables and boxes in neat rows. A Blackboard.
Students of all shapes and sizes and species. One is spotted brown and
white. She is dressed in a tee shirt and baby bonnet. This is not a
happy student. She looks longingly backward towards the door. She has
a plan but she is patient. The teacher begins class. She is brilliant.
Math, English, History a little Geography. The teacher turns to write
large chalky letters on the blackboard. The student sees her opening
and escapes out the door barking wildly at some imagined hostile intruder.
Recess. Time to swing for a while. Large, wooden swing set in the shadow
of the playhouse. Great ideas are sometimes born here where the closest
thing to independent flight is often attempted. Pumping and straining
every muscle to toe touch the lowest branch on the world's largest pine
tree. A tree held together with several pounds of ten penny nails. A
little carpentry practice. The Dad always wondering where his nails
disappear to. This tree is also keeper of the basketball hoop. No net.
Many one- on- one games called HORSE with a brother who always wins.
Swinging higher and higher. This time, so high the chain relaxes at
the top of the arc and there is a millisecond where gravity is defied.
A bargain struck with God to allow one hour of unrestrained flight through
the clouds. No one would ever find out. A bargain is a bargain. Especially
with God.
Recess over. Back to work. Star student hiding. Never
mind. Arranging and rearranging. A boat. A hospital. A cave. A bank.
Never-Never land. A home, but only in the daylight. No electricity.
Too many dangerous fumes for candlelight.
Dusk ends much more than just the day. There's tomorrow.
Another day will shed its light on this magic place that inspires exploration,
expansion and rehearsal for all the possibilities. It is a parallel
universe without limits or boundaries; no dimensions of height, width,
or length. To open the wooden door and cross the threshold is not to
enter this physical space, but rather to penetrate the heart and soul
of a dreamer.